Life in Culebrón

I like to do things, to go places, to get out to Spain. To concerts, to parades, to fairs and fiestas, to restaurants and landmarks, to open days, exhibitions and guided walks. There always seems to be lots going on all over the place. I've never been quite able to decide whether this is because there are a lot of things on offer or because I've got into the habit of hunting them out. It may be a combination of both. It may also be because of where we happen to be based. Pinoso is surrounded by other towns and, as everywhere does things, the cumulative effect is impressive. When we first got here there were a whole load of new cultural experiences to tap into. A lot of the information came from posters. It was both comical and frustrating that the posters often failed to give basic information - when or where - for instance. That's because the posters were a gentle reminder to a local audience. As the event hadn't changed in years, everyone who mattered, the locals, kne...

Luis Garcia Berlanga was a Valencian born, Spanish film director who made some 19 films between 1951 and 2002. He was born on 12 June 1921, 100 years ago give or take, and his centenary is being celebrated all over Spain through lots of screenings, exhibitions and new books. I went to see one of his films, el Verdugo, The Executioner, at the Fundación Paurides in Elda on Wednesday evening.  Now Elda is our nearest large town so I know it reasonably well but I'd never heard of the Paurides Foundation. The bit of town it's in didn't seem particularly salubrious. The woman who dragged her three kids past me as I was locking the car gave me a very fierce look as though I didn't belong. I double checked that I'd locked up securely. Google maps, on my mobile, refused to speak and was almost invisible in the bright 7pm sun as I searched for the venue. I found it though. The Paurides Foundation turned out to be a neighbourhood based arts and culture centre with a nice lit...

I bought a book, second hand, from the Spanish Amazon site. The book is in Spanish but it was sold by a bookseller in the US, I think. It's called Plazas de España, Squares of Spain. I was rather expecting a version of a treatise on the architecture, development and use of the public square in Spain suitably dumbed down for a plebeian audience. It had a bit of that, in the introductory pages, but the bulk of the book is a selection of photos of some of the more impressive squares with one of those factual and instantly forgettable descriptions. "This square, built in a Rococo style with Neoclassical additions ordered by Carlos III, is one of the most ornate of all Spanish squares." It reminded me of some of the terrible guided visits we've been on - to your left a crucifix from 1752 inspired by Michael Angelo and, over the fireplace, a scene from the Battle of Lepanto painted by Plácido Francés y Pascual in 1871 - now if you'd follow me we'll move on to the ...

All the time we've been here and we've never been in Sax Castle before. It's only just down the road too, maybe 30 kilometres. We remedied that today with a theatralized visit. I saw the poster somewhere, sent an email and I was told to email back on a specific day as the visits were always oversubscribed. I did as I was told and got a couple of places. The story the players acted out was about the second Marquis of Villena taking possession of the lands around Sax Castle. When they were telling the story I realised that this particular Marqués de Villena was the one who lost the family the lands around Villena, another local town. He backed the wrong side at the time of the famous (in Spain) Catholic Monarchs, the ones who sent Columbus off to find some spices. There is still a Marqués de Villena, the twenty first. The eighth one set up an institution to protect the purity of the Spanish language which now produces the Spanish dictionary of reference. The Villenas are a ...