Life in Culebrón

I've always liked going to the pictures, to the cinema. It's not just the film but the experience. It's true you can see the pictures and hear the words on Netflix or Apple TV, or even on the broadcast telly, but it's hardly the same. The cinema is total immersion, a darkened room with one focus of attention, and a screen that dwarfs even the largest television screen. I also like that it involves popping out of British territory and into Spain. I used to go to the pictures in the UK too. A huge advantage that we Britons have, in relation to film viewing, is that we speak English. This means that the films produced by the US film makers aren't seen as being foreign, even though they are. Italian and French and Iranian films, those that come with subtitles are foreign. I don't think I ever saw a dubbed film in a cinema in the UK, foreign films always came with subs. Not so in Spain. Here nearly all foreign language films (which obviously embraces Hollywood produc...

Going to the pictures in Spain is a bit sad at the moment. The cinemas are just so quiet. The reports say 35% down on pre pandemic figures. I suppose that when everyone was locked in their homes they subscribed to Apple TV or Netflix or Filmin. At that time the film makers and distributors thought, well, if anyone is going to see my film then I have to put it on HBO or Amazon Prime or the Disney Channel and the rest. So film making is healthy enough, lots of product, but with many releases going direct to platforms or having very short cinema runs. Although I go to the flicks a lot, I go at unpopular times. Not for me the crush of Saturday evening but, more usually, the peace of Tuesdays. Even then the fall off in numbers is noticeable. I've been in cinemas where, so far as I can tell, there are no other customers in the whole building. Tuesday is favourite because the nearest cinema to Culebrón, the Yelmo in Petrer, does its original language films then. It's become a habit s...

I have innumerable stories about going to the cinema. I started young and I'm still adding to the store. As an eleven year old I marvelled as my Auntie Lizzie sobbed while watching The Sound of Music. When I was fourteen my dad insisted that we went to a bigger cinema in Leeds to get the full Cinerama effect of 2001: A Space Odyssey. I was well over 30 when I tried some sort of gruel that Poles prefer to popcorn as I watched a Swedish film with French subtitles in a Warsaw cinema. In Banjul I wondered if the running and shouting antics of the audience for a Kung Fu film would turn violent. As a student in the 1970s I recall scraping together enough loose change to see Last Tango in Paris with someone who really thought it was about dancing. In Madrid, in the early 80s, I sat, rifle-less, on a grassy knoll one August evening for cinema in the park. Hooking the speakers over the wound down car windows at a drive-in in Pennsylvania. Delighting in seeing season after season of black an...