Showing posts with label art nouveau. Show all posts
Showing posts with label art nouveau. Show all posts

Wednesday, October 25, 2023

Smoke signals

There's quite a lot of stuff that I'm aware of because I'm English. Stuff like knowing that Belgravia and Chelsea are rich parts of London, that Trafalgar Square is the (English) place to be for New Year, that Land of Hope and Glory will get a lung bashing the Last Night of the Proms and that haddock is not the usual fish in fish and chips but it was where I grew up. One of the pleasures and pitfalls of living in a place you were not born is that the common knowledge in the new place will be different. I've mentioned this in blogs lots of times before. I find it interesting, otherwise why would I be in the least interested in the story of Suavina lip balm and why would I keep going on about how strange Spaniards find it that we drink hot drinks with food or think that cheese and onion sandwiches are normal?

Last month we stayed over in Alcoy during the weekend of their Modernista Fair. Modernista, modernism is something else that I'd never really heard of till I got here. I thought you might not know either so I went in search of the two-line definition so necessary for the TikTok or Instagram generation we've become. In fact, there wasn't an obvious one. Most of the descriptions were quite long so this is a cobbled-together attempt: Modernism is an international style of art, often referred to by its French name of Art Nouveau. It was popular from the 1890s through to the first decade or so of the 20th Century. Modernism embraced architecture and applied art, especially the decorative arts. It frequently incorporates natural forms such as the sinuous curves of plants and flowers. The style is often asymmetrical and although wood was widely used there was a tendency towards modern, industrial materials like cast iron, glass, ceramics and concrete. If you know any Gaudí stuff he was very Modernista.

So there we are, in Alcoy, amidst a slew of people dressed in "Edwardian" costume demanding the vote for women and dancing very lively dances wearing bowler hats and tailcoats. As we strolled we came across a stall promoting PAY-PAY (pronounced like the pie in pork pie - so it's pie pie) cigarette papers. To be honest I haven't really thought of cigarette papers since my student days when I used to carry around Rizla King Size just in case anyone asked and then felt that sharing was appropriate. I noticed the stall though and wondered if this was another example of "every day is a school day". True enough there's a bit of history.

It says, on the PAY-PAY website that PAY-PAY is the oldest cigarette paper in the world. The papers were first manufactured in 1764 in Alcoy from where they were exported to many countries, especially to Latin America, often in exchange for tobacco. That's why the stand at the Modernista fair in Alcoy. 

The thing is though that on the Rizla website, they say their story begins in 1532 when Pierre Lacroix traded some of his rolling paper in return for a bottle of Perigord champagne. They go on to say that over a hundred years later, after Pierre’s rolling paper had been passed down for generations within his family, high volume production began. For years, for ordinary people, pipes were probably the most common way to smoke tobacco and the most common form of tobacco was the powder that we'd now call snuff. Rich people smoked their tobacco leaf wrapped in other tobacco leaves - cigars. If you didn't have a pipe to hand and the craving came over you then smoking the powder in any old scrap of paper was the way to go. Rizla say that, when they introduced a dedicated, rice based rolling paper in the late 1880s it took the market by storm. 

I found another website too about the history of smoking and cigarette papers. There there were lots of photos of people surrounded by clouds of smoke, quite unlike the gentle fug from Golden Virginia or Samson. That website suggests that Rizla, Raw and Smoking were the first important rolling paper brands. There is no mention of PAY-PAY though the site does say that the original cigarette papers were called Spanish papers. Who knows; were the Spanish there first or was it the French Rizla people? Do we really care?

In fact, having read all the PAY-PAY history it turns out that all that remains of the original company is the name; a bit like the Chinese MG cars. It looked for a while as though PAY-PAY were claiming that they invented the cigarette paper booklet, the interleaved papers of an appropriate size for rolling a ciggy, because they talk about the invention as being that of a Dominican friar from Xátiva, which is very close to Alcoy, in 1815. They give the game away though by saying that the PAY-PAY workshop was just one of several in Alcoy making the interleaved papers and that PAY-PAY was a brand name for the Pascual Ivorra workshop. Apparently this bloke's marketing strategy was to print allegorical engravings, to tell a moralistic or Christian story, on the outside of the packets. Over time the packets were to bear a long series on the history of Spain and others on famous people and on customs, costumes and traditional sayings. If you're as old as me you're now thinking of those little cards that used to come with PG Tips and if you're even older maybe cigarette cards.

At the end of this the only thing worth remembering is that if you get sent for some Rizlas down at the local estanco and there aren't any you have a name in reserve - but remember, pie pie not pay pay.

Wednesday, December 22, 2021

Rooted in the land

Last week we booked up for an Experiencia Gastro-Cultural in Novelda. The hook was the word gastro rather than on the word cultural. 

The morning consisted of a couple of visits to the two "principal" Modernista or Art Nouveau houses in the town. Both are on the Calle Mayor in Novelda. One is run by the Fundación Mediterráneo and has an entrance charge whilst the other, the Centro Cultural Gómez Tortosa, is owned by the Town Hall, so it's free, and is home to the Tourist Office. Both are pretty stunning in their detail and, every time we go, they seem to have improved their offer of things to see.

So, if the Modernista heritage was the cultural part of our visit, what were we going to get on the gastro side? Novelda has long been associated with saffron. The crocus flowers that provide the saffron originally all came from Castilla La Mancha (nowadays a lot of the saffron also comes from Iran) and it seems to be by sheer chance that Novelda became the place to process the saffron and then sell it worldwide. I have heard that, like the marble industry located in Novelda, the saffron trade owes a lot to the 19th Century railway boom. Nowadays, businesses that began with saffron have branched out into associated areas. If you buy one of those kits of "botanics" to mix in your gin, if you have a salt cellar with pink Himalayan, or black truffle salt or even if you just look at the spice and condiment section in Mercadona, you'll often find that the company that did the packing and marketing is based in Novelda. So that's where our tour guide took us next. To the LayBé factory where a small team puts saffron into nicely designed tins, worries about the ideal qualities of salt cellars and frets about packaging up varieties of paprika. There wasn't a lot to see to be honest but the talk we got from one of the owners was pretty interesting and it just shows how important marketing and image are nowadays.

Next, the bloke who'd been showing us around changed his hat from tour guide to winemaker. Apparently his family has been in winemaking, as Bodegas Ortigo, since 1880 with vineyards near Las Salinas. At one point the vineyard, and its wines, had all but disappeared, then, a few years ago, the guide and his family decided to give it another go. We got to taste the result. The white, the rosé and the red all have a bit of a twist on the typical wines produced around here. We got to do "the cata", the tasting, outside a shop called El Escaparate. It's one of those places that sells, nuts and chocolate, olive oil, salt, honey and a whole host of similar edible things in cans and jars at inflated prices. The wine was served with coques or cocas - the local variant on a pizza but only in as much as it has a bready sort of base and a topping. I like cocas but Maggie always refers to them as fat pies!

As I drank my wine I thought about bodegas selling "odd" wines, about the young woman at LayBé selling salt that tasted of fried eggs and saffron packaged in fancy little tins. The man selling his wine was passionate. Although all the businesses, the saffron place, the trendy shop and the bodega, were simply businesses, and business is easy to understand; selling things to produce profit, there was something else to each of them. People dream up new businesses all the time. Not long ago food delivery on bikes, leasing cars or the idea of selling a unique digital image would have seemed ridiculous. Nowadays they are just another business. There was something though that the businesses we'd seen and the places we'd been, had in common. The man, Angel by name, was waxing lyrical about "nuestra tierra", our land, our home, our traditions. It's the sort of thing you hear folk musicians talking about, it's the stuff of local historians, it's the reclamation of their place in history by women or by communities and by groups with a common bond. It's something that's there in the foundation trying to preserve the variety in citrus groves or the farmer herding rare breeds. It's there in the towns that depend on tiger nuts for the horchata but have found hundreds of ways to market products made from the nuts, it's the people who still make the lip balm that was developed by their great grandad for local farmers in the huerta of Valencia. 

Maybe they're just another business, maybe they are simply looking for that unique selling point but I got this feeling there was more heart and passion in this than that and that it highlighted a way of doing business. Angel had sounded proud of "his" town as he showed us the houses, as he took a pride in the development of the town, as he talked about Modernista houses about the quality of the local buildings, that Modernista past, the pride in the Novelda woman who had been given the pejorative nickname of the Pitxotxa but had gone on to build up a business empire in a hostile world ruled by men.

Or maybe I'm just getting sentimental in my old age.