Labels

One of my shorter pals had relatives who were horny handed sons of toil. Generation upon generation of farmers. They lived, as I recall, on the edge of the English Lake District. When the Ordnance Survey began to mark scenic viewpoints on their one inch maps (my long term memory is still fine) suddenly lots of cars began to pull up at the top of the farm lane to have a look see. The family turned this to their benefit by setting up a stall selling fresh eggs.

We were in Madrid for the weekend. We went on the AVE, the high speed train which, as usual, was on time both there and back. I only saw the indicated speed on the carriage displays once during the journey, a disappointing 296 kph. We stayed in some really nice hotel close to Alonso Martínez underground station. For some reason they gave us a junior suite with two washbasins, two tellies, a sofa and a king sized bed.

Straight off the train we dumped the bags and walked across the road to the Reina Sofia Museum - well museo in Spanish though it's a gallery not a museum for us. Four floors of culture. Although I've been to the gallery a couple of times, at least, in the past, it's years since I've actually been inside. We spent a couple of hours padding around the top two floors along with plenty of other people. There was no hustle and bustle. Lots of space and time to stop and stare. I was enjoying myself but my old feet and legs began to ache. We went for a sit down and a snack but, taken aback by the prices, we settled on a couple of overpriced drinks. We were generally overwhelmed by Madrid prices because of our hill-billy incomes but we got by anyway. The break though was fatal. We realised we were done for so we decided to have a look at Guernica (one must, mustn't one?) and then call it a day. There were a lot more people milling around that floor but there was no element of elbows or jostling; just maybe twenty people gazing in awe at Picasso's famous painting.

Next day and we did more wandering. Maggie was keen to see the Bosco exhibition, that's the bloke we call Hieronymus Bosch. He's a bit of a star in Spain partly because the Prado and Escorial have quite a lot of his work and partly because the paintings are bizarre. So we got in the shortish queue and waited for maybe twenty minutes to get some tickets for later in the day. It was about noon now and later in the day turned out to be quarter to seven. So we touristed away until the given hour and then joined the throng. This time it was a throng. People standing, apparently in raptures, ten centimetres from the surface of a painting and scrutinising the detail, lots of people laughing at the strange elements of the paintings, lots of barging, lots of gentle, art crowd, pushing. Museum staff were milling around to keep an eye on the punters and they were kept busy.

The strange thing is the last time we were at the Prado we went to have a look at the Boscos. That time there was nobody much around. There were a few of us but then it was similar, crowd wise, to having a look at the W. Eugene Smith photos in the Reina Sofia the day before. Not a lot of foot traffic, not a lot of scrutiny by the gallery staff and plenty of time to stand and stare.

My mind wandered to OS maps.

A leisurely time when women wore picture hats

I've read a few books by a Spanish author called Vicente Blasco Ibáñez (1867 -1928). A couple of the books were about life in Valencia, about the new bourgeoisie, the sort of people who didn't make their money by the sweat of their brow but by playing with money. The sort who despite being in debt need a new carriage to keep up appearances, the sort who would go on to be politicians if only they would stop impregnating the scullery maids. I found the picture the books conjured up of Spanish life at the tail end of the 19th Century fascinating.

We went to Valencia to catch up with one of Maggie's nieces who was in the city for a European Arts Project. Maggie had booked a hotel that was about 3km from the Cathedral, near to the City of Arts and Sciences. It was in a district full of the sort of buildings that conjured up the characters from the Blasco Ibáñez books.  Big impressive buildings with lots of decoration, ample windows, high ceilings and fancy facades. The streets were lined with trees and there were lots of shaded little squares. Just around the corner was the old course of the River Turia. For the Blasco Ibáñez characters the circuit round and round from one side of the river to the other offered the perfect opportunity to show off those new carriages, flaunt that Parisian dress and even to allow appropriate, chaperoned, conversations between young men and women.

Valencia city centre is another showcase for those big turn of the Twentieth Century buildings that are so typical of the centres of many Spanish cities. We don't have anything similar in Culebrón or even in Pinoso. In fact there were quite a few noticeable differences between the Spain that I live in and the one that we visited for a few hours.

Somebody complained about some of the generalisations that I often make on this blog. They told me that I shouldn't draw conclusions about Spain from Pinoso or Cieza or Fortuna, which they referred to, as España profunda, Deep Spain. I took issue with my reader on the grounds that nowhere is particularly isolated nowadays. If you can watch Akshay Kumar and Nimrat Kaur in Bollywood's Airlift as easily as you can watch Kit Harrington in Game of Thrones on your mobile phone, if you can follow the progress of some round the world cyclist as they cross Uzbekistan via their Facebook page and if the drones overflying Afghanistan are controlled from Lincolnshire then it stands to reason that nowhere offers a safe haven from modernity. Even those who want to live in a cave will still find the world chasing them down through old technologies like television and radio. That said there are major differences of course. Living without running water in Havana or being enslaved in Nouakchott, Mauritania bears little comparison to living in Chelsea or the swanky bits of Mumbai. Conversely Pinoso and Valencia are hardly worlds apart.

So we were in Valencia and I thought these houses are nice, I liked the dappled light effect from the sun shining through the trees. I liked the variety and the choice of cakes in the tea shoppy sort of bar we went to. In the central market the stalls were perfectly ordinary but they were selling in an innovative way - micro brewery beers here, oriental vegetables there - a little twist on my everyday. I know a mango smoothie is hardly a hold the front page moment but we are a bit short of smoothie stalls in Pinoso even if you can buy the product in the supermarket. There were hire bikes, the segway groups, the guides showing people around the Old Exchange and the good sounding tour from someone explaining the War of Succession in Estuary English to a bunch of Dutch and French people. All something for we yokels to gawp at. The bars were a bit trendier, the shops were a lot more diverse, there were buses and taxis to take you where you needed to go. On the other hand I was quite sure there was some skulduggery with the addition on our first bill in that tea shoppy bar, the noise of those buses and taxis and bikes and cars pounding down those sun dappled avenues was extremely unpleasant and the interminable hunt for a parking space amongst those leafy squares was exasperating to say the least. The crowds of tourists following the raised umbrella kept bumping into me and spoiling the snaps. There were a lot of people who approached us with outstretched hands or hoped that we would pay to hear them play the bandoneón. It was great, it was interesting, we were surrounded by galleries and great architecture. There were expensive cars and things happening and tourist information and people from all over the world and there were business people doing their thing with suits and posh skirts but it was even better when the motorway quietened down and the countryside opened up and we saw Almansa castle in the distance and the dusty little towns and countryside of Deep Spain spread out before us.

Hey Mr Beaver

It was quite early, maybe around eight in the morning, but the newsagent in Chatteris was open. I was on my way to some absolutely essential meeting I'm sure. Chatteris is a town in the Cambridgeshire Fens, stories of incest, potato headedness and child swapping abound. Chatteris was not in the fast lane of the (then) 20th Century. A couple of older women were in front of me, they were buying but chatting. After waiting nearly five minutes I asked if I might just have a packet of Hamlet and be gone. I had the correct change, it would be a quick exchange. The woman behind the counter wasn't having any of it and didn't heistate to chide me for my hurry.

On Monday I was in the library cum youth centre in Sax. Six of us were gathered around a table parked at an edge of the big barn like room. We Brits outnumbered the Spaniards two to one. The idea is that it's a sort of group language exchange - I have no idea why we use a room large enough to stage a concert in. My fellow Brits were expounding on a failing of some Spanish system or another - maybe education, maybe good manners. I forget. We often complain about most things in our adopted home. Then one of the Brits said that she had been told, by a Spaniard, that it wasn't fair to judge Spain by what happens "around here."

I know exactly what she means. It wouldn't be fair to extrapolate an impression of the UK from Chatteris or its somewhat prettier rural cousins alone. If you did, and you worked in the film industry for instance, you may have a population that never took its wellies off or lived in half timbered, thatched roof cottages and shopped at family owned supermarkets all the time. Obviously there are no films like that.

I made a little coment on Facebook about Maggie stopping in the middle of the road to greet someone and used it as an example to prove that she was becoming Spanish. Marilo came back to say that she really was Spanish and she would never stop on a zebra crossing to chat with someone. Forgive us, we're country bumpkin Spaniards I replied - we do folk dances. I don't suppose they do a lot of folk dancing in the Palacio neighbourhood of Madrid either. Only the other day when I wrote the form and function blog entry I was thinking that there are some pretty trendy places in Spain, there are first class restaurants, people buy Audi A7s as well as white vans and Internet connections run at 100 Mb in the big cities. When I talk to telesales people there is often a lot of confusion about our address. Their expectation is a street name, building number and maybe flat details. They do not expect some description of a piece of muddy (winter) or dusty (summer) field.up a farm track.

Fortunately though the blog is called Life in Culebrón not Life in Spain

Trains, culture and city life

I had a lot of trouble getting a job when I was a young man. One day in the 70s after another disastrous interview I was on the milk train back from London to Halifax. It was early morning when the train made an unscheduled stop in my home town of Elland presumably waiting for the signals or somesuch. Beeching had done for Elland as an official stop. I jumped out of the train (no conductor controlled doors in those days) and despite the protestations of the British Rail staff legged it over the semi derelict platforms and pushed through a hole in the wire that I knew from my boyhood adventures. It saved me the four mile hike back from the official stop in Halifax.

Yesterday we decided to travel to Valencia for one last outing before I go back to work on Monday. We agreed to use  the train. Quite by chance we'd been in the station at Villena a couple of days before. That's where I got the idea. It was interesting looking at the routes of the slower trains that run on the wider traditional gauge of Spanish railways. The train we got from Elda for instance had come from Cartagena and had passed through Murcia, Elche and Alicante. From Elda/Petrer it went on to Villena, Xátiva, Valencia and then up through Teruel and on to Zaragoza. Plenty of interesting stops there, Plenty of places that I had never thought of as train destinations. As well as our route there was another that went up to Barcelona and a third went through Castilla La Mancha taking in Campo de Criptana (one of the places with lots of white windmills) on its way to Ciudad Real - a town I haven't visited for years.

One of the reasons that the very fast Spanish AVE trains cover the ground so quickly is not just because they can travel at over 300 kph but because they don't stop. Between Alicante and Madrid for instance, a distance of just over 420kms, they stop just twice to keep the time to around two hours and ten minutes. It adds fifteen minutes to put in another couple of stops. I think I've got used to thinking of trains as long distance services rather than considering their routes through lots of interesting towns.

Spanish trains are usually clean and prompt and generally it's allocated seats too. So even if there are suitcases all over the place on the crowded routes you still get a seat. Prices seem reasonable to me. The 290km round trip cost 31€ for full price tickets or a tad under 25 quid. Covering the 450 kms from Madrid to Cartagena in January of this year on a special ticket (no passes or cards - just an offer) cost me 15€.

So we got off the train into the modernist Estación del Norte built in 1917 and we were plunged into Valencia city. There were back packer type tourists everywhere, a variation on the tourist families of the Costa Blanca, and lots of lots of ordinary people just going about their lives. Valencia is the third largest city in Spain and even on a Saturday it was obvious that we were a long way from Culebrón.

I always like to take in an exhibition when I'm in a town. To be honest I'm not a good gallery goer. I soon get bored of looking at pictures or sculptures or installations or whatever but I just love going to galleries. Places full of ideas, the effervescence of human endeavour. Maggie suggested the Cathedral. That sounded good to me too as it's years since I've been inside. The entrance price (wasn't there a story about Jesus and people doing business in a temple?) included a surprisingly interesting audio guide despite lots of references to polychrome figures and retables. And, unlike the Monty Python crowd we didn't have any trouble finding the Holy Grail. It's stop 20 on the audio guide.

We got to a gallery too, though they are always termed museums in Spanish, with the IVAM, the Valencia Institute of Modern Art. To get there we wandered through the bohemian Barrio Carmen which is full of bars, eateries, antique clothes shops and bike hire places. We even found time to down a jug of Agua de Valencia, a sparkling wine, orange juice, gin and vodka combo before heading back to a Talgo train to whip us back to Petrer and the waiting Mini.