In praise of Villena

The first time we went to Villena was in 2006, a few days before Christmas. We were just about to leave when we bumped into a lot of carolers crossing the road. We followed them to a spot outside a chemist where they gave a little concert. It was lovely. I've had a bit of a soft spot for Villena ever since.

Sometime later, goodness knows when, we were by the Town Hall in Villena, next to the Iglesia Arciprestal de Santiago, the main church, just beside the Town Hall and Tourist Office. A woman came over and asked us if we were tourists. We were Brits and that was tourist enough for her. She took us in the church. She told us how the spiral columns were very uncommon in other churches. She told us how the patron saint of Villena and the church in Villena had been set on fire in the Spanish Civil War. When we'd done there she took us to see the Villena Treasure - 90 pieces of 3,000 year old solid gold objects, bowls, bracelets, necklaces and the like, weighing in at nine kilos. 

I thought I knew what there was in Villena. We've been there many times. We've done lots of fiestas and events and guided visits but I'd never heard of a museum, the Museo Escultor Navarro Santafé, until the other day. It's a small museum, very small and it costs a euro to get in. It's on the ground floor of the 19th Century house that once belonged to this Villena born sculptor. It's easy to find because the street is named after him, Navarro Santafé. The exhibition consists of various pieces that the artist brought back from his studio in Madrid: sculptures, parchments, writings, sketches, photographs. In his lifetime (he died in 1983 aged 77) he became relatively famous for his animal sculptures because they were a popular buy among hunters. The thing that surprised us about him though was that one of the most symbolic of all Madrid statues, the Bear and the Strawberry tree, the one in the Puerta del Sol, right in the middle of town, is his.

Oh, and he also did a new version of Nuestra Señora de las Virtudes, the patron saint of Villena. That's to replace the one that the tourist guide had told us about in the once burned out church. 

Footpaths

Though it's not something we're likely to make a habit we went for a walk in the country today.

Near Villena there are some old kilns that were used to turn gypsum into the raw material for plaster - the Hornos de Yeso - and they are near where the Villena Treasure was found.

It wasn't the most scenic spot in Alicante. There was a tip close by and lots of people seemed to have lost heart within sight of their goal and just dumped stuff by the side of the track. Nonetheless, the spot did have a certain charm and lots of lizards.

We followed a public footpath. There's a very simple system in Spain for marking paths. Red and white bands are used for long distance paths, yellow and white for shorter paths and green and white for the local stuff. The bands are usually painted on rocks, fenceposts, walls etc and they are normally well maintained. If the bands are crossed it means not to go there and a hinged symbol marks a turn.

The markings for the path we followed today were haphazard to say the best. Illusionist markers - now you see them, now you don't.

Ironmongers and gold diggers

There is a huge ironmongers shop in Villena, a town close to us in Alicante, and being the hosts with the mosts that we are, that is where we were taking our houseguests. What man could resist three, or it may be four, floors of tools, fastenings, machinery and gadgets? We thought we may even have a meal in their canteen afterwards. Our plan was foiled when the place was closed.

Never mind. We did get to see the town Archaeological Museum.

In 1963 a couple of workmen in Villena, found a bracelet in the gravel they were spreading. The foreman hung the bracelet up on the wall so that whoever had dropped it could reclaim it. A bit later one of the workers thought they might just pop it around to the local jeweller to see if it was worth anything. As it was made of half a kilo of 24 carat gold it did have a certain value but the jeweller thought there was something odd about it and suggested showing it to a local archaeologist. In turn this chap recognised it as being 3,000 years old or from the late Bronze Age. Fortunately for the Villena Treasure there were none of the "I Buy Gold" shops that there are now on every Spanish street corner. They'd have weighed it in and turned it into a nice charm bracelet without batting an eye lid.

The archaeologist, a regular Hercule Poirot, suggested they go and have a look where the gravel had come from just in case there was anything else there. They found a clay urn which contained seventy pieces of gold, 9 kilos in all, along with some silver vases and a few other smaller items thrown in for good measure. Not as romantic as Howard Carter breaking into King Tut's tomb but a pretty impressive haul nonetheless.

We got this story from a subtitled version of a No-Do, the Spanish equivalent of the Pathé News. I thought the No-Do piece told the story rather well even though the re-enactment of the discovery of the bracelet by the real life Spanish workmen, jeweller and archaeologist was of about the same quality as my portrayal of a penguin in the St Paul's Cub Scout Christmas Pantomime that same year.

The man from the museum opened the cupboard in which the treasure is kept so we could all have a look.

There is apparently no idea where the pieces come from, how they ended up in Villena or who made them but they really are very pretty.

I really need to get some clips to re-attach that glass shelf to the bathroom mirror and without a new saw how can I trim the palm tree? Maybe any old ironmonger's will do.