Señor Martos and us

We went to see Raphael last night. For those of you who don't know who or what Raphael is this is what Wikipedia has to say about him:

"Miguel Rafael Martos Sánchez, born May 5, 1943 in Linares, Spain, usually simply referred to as Raphael, is a worldwide acclaimed Spanish singer and television, film and theatre actor. A pioneer of modern Spanish music, he is considered a major influence in having opened the door and paving the way to the flood of Spanish singers that followed on the wake of his enormous success."

This is something like an English person going to see Cliff Richard. Incredibly famous at one time, still very popular with the faithful and even today most young people would still recognise the name.

I always think there are three things about seeing a band or a singer. There's the show, the presence, then there's the content, the music and finally there's the atmosphere; the chemistry between audience and performer.

I'll use old bands as examples. Hundreds of years ago I saw Bruce Springsteen (actually it was thirty four years ago in Roundhay Park). Ten years before that I'd seen the Rubettes. Presuming that you're of a similar mind to me you think that Bruce is a tad better musician than the Rubettes but as performers, working the crowd, they were both excellent. Van Morrison is also musically superior to the Rubettes, but, as a performer, he has about as much presence (from the one time I've seen him) as a telegraph pole. And then there's the Rod Stewart and Rolling Stones type performance where the audience does as much to make the show enjoyable as the performers.

I was expecting Raphael to be poor musically - he's old, his voice isn't what it was and he couldn't rely on me singing along, getting carried away with the event, because I only know a couple of his songs. I was expecting him to be a great showman, working the audience, and I expected him to get the crowd going. I was wrong of course. Musically he did OK (plenty of provisos but not bad at all for a 76 year old). Crowd wise the whole thing was spectacular - the crowd roared and swayed and chanted and danced. Performer wise he was a huge disappointment. Hardly a word spoken to the audience - no anecdotes, no references to the greatness of Murcia, no topicality.

When I told people I was going to see him nobody said "who?" though several said "why?". The answer is obvious. I can now say I've seen Raphael.

Dancing the night away

We've just had a bit of a debate about where we were going to go this evening. The wine harvest fiesta in Jumilla is in full swing and tonight they have a Queen tribute band. Down in La Romana there's a Moors and Christians parade with music and bull running later. Chinorlet, the nearest village to Culebrón, is also partying for the weekend. Tonight they have a children's parade and then a band. In fact, within 45 minutes maximum travelling time we could go to Elche, Aspe, Cañada del Trigo or Fortuna instead. Oh, I nearly forgot and one of the outlying villages of Pinoso, Paredón, is at it too. In fact August 15th, a bank holiday for the Assumption of Mary, is the day when there are more fiestas in Spain than on any other day, the official count is more than 1,000.

Jumilla is probably our first choice but the tribute band are not due on till half past eleven which means a start nearer midnight in reality. My guess is we wouldn't be home till maybe 2.30 and we're a bit old to miss out on our nightly Horlicks. Maybe we should go to the less exciting La Romana and pop in to see the live band in Chinorlet at eleven? Given the inevitable late starts we'd still be home by around one which would leave time for a soothing hot beverage before bed.

The fiesta programmes reminded me of the importance of music in these events and of one sort of music in particular. The band on in Chinorlet (Permanent population 192) is called Kalima, last night in Caballusa (where just four families live all year round) there was a singer called Leandro. At the recent Pinoso fiestas (the official population of Pinoso is only just over 7,600) there were several bands. We did go to see the top twenty band Dvicio but we missed most of the rest including Trio Amanacer, Me and the Reptiles, Grupo Zafiro and Orquesta Athenas. We could make amends for missing Athenas by seeing them in La Romana tomorrow. La Romana has another orquesta, Orquesta Shakara the day after.

Spain, obviously enough, has every sort of musical grouping you can imagine. There are individual musicians doing the rounds, there are groups that do rock or pop or indie or grime, there are brass bands, string quartets, opera singers backed by pianists and flautists, there are folk groups, bagpipe bands, symphony orchestras, Colombian Cumbia groups, Mexican Mariachis and lots of Brazilian Samba bands to name but a fraction of the styles. There is, though, a species of band that exists predominantly to do fiestas and verbenas (verbena is a loose term but it usually means a bar, food, dance and music area which constitutes part of a larger, city wide fiesta) and that's the orquesta. Guess the English translation.

The orchestras have a simple enough mission - they have to ensure that everyone from the smallest child, to the least nimble grandma and even the sulky teenagers get up and dance. They fulfil their mission with a mixture of timeless classics and this summer's hits. It's a while since I've seen one to be honest but they have a style which is sort of trashy and glamorous at the same time. The men often have a bit of a belly whilst the women wear tight clothes with sequins and short skirts or shorts. Obviously that's a massive over-generalisation - some of the men are bald and wear sequins too! The repertoire is international though Spanish hits predominate even if they were originally sung by foreigners like Shakira or Luis Fonsi. I've just read four different lists of "indispensable" songs for orquestas and, apart from the incredibly successful and timeless Paso Doble tune Paquito El Chocolatero there wasn't a single song that was present in every list. That doesn't mean that all the lists weren't very similar with the same styles and names turning up again and again. A very danceable style called reggaeton was definitely over represented and Rosalía, the fusion flamenco/pop artist seemed big this year too.

Anyway, whilst I've been typing we've decided and it's nearly time to go. Jumilla it is and Queen  - so songs that we'll know. No Soldadito Marinero, Princesas, No rompas más, Cannabis or A quién le importa to add to my cultural education this evening then.

Song of the mines

One of the problems with things starting late is that one never knows how late. Last night, well earlier today too, we went to see the final of probably the most famous flamenco competition in Spain, Cante de las Minas, in La Unión near Cartagena in Murcia. The competition has an overall winner and lots of other prizes based around the elements of singing, dancing, guitar and, new to us, other instruments. We've been to semi finals before and to concerts of established stars during the festival but this was the first time that we'd done the final.

So, a 10.00 p.m. start and we reckoned on about three hours for the event. We abandoned food in a bar because the service had been so terrible it left us with insufficient time to finish up and get into the hall for ten. We knew the start would be delayed, the usual for theatre and music is about twenty minutes, but you can't be sure. Some things do start on time. It's not common but they do.

Twenty minutes would have been good. The event got underway properly at about 10.30. People were still coming in from the street, at least we supposed they were, because the ushers were guiding them to their seats, at 11.30. Presumably they had decided against rushing their dinners. There was a constant procession of people moving around the concert hall going to and fro. Changing positions, moving to an unoccupied seat, having a chat with their neighbour - in nothing that could be described as hushed tones. Our chairs were hard and we had a terrible view. We should have joined the throng and walked around but we are British, and the original announcements had asked us to remain in our seats, so we did.

The programme showed 19 different performances from the various finalists. The singers and musicians did three or maybe four tunes in one go but the dancers did just one dance before going offstage. They came back to do a second number when they had recovered from their exertions and changed their clothes. By about 1.40 a.m. there were still six performances to go so, after a bit more than three hours, we were two thirds through. Maybe another long hour to go. Then of course there would be the judging time and the presentation ceremony. The YouTube video shows that it took twenty five minutes for the prize giving so I reckon that they must have gone on till at least four and maybe five in the morning. We weren't there. We were long gone. When we left we were offered a re-entry stamp which probably explains some of the constant movement. People, as bored as us, going outside to get a beer or a fag and then coming back. In our case though we weren't exactly local. We were an hour and a half from home so we said no to the stamp. As it was we didn't get back home till a little while before 3.30 a.m. by which time my contact lenses were really hurting. Fortunately the overall winner was a woman we saw sing rather than one of the people we missed. I didn't care much for her singing though.

Now I like Flamenco - well sort of, for a while and with a following wind. When I tell people about our experiences at La Unión I usually say that the first half an hour is great, that the second half hour is nice but the seat is beginning to get hard. By something like ninety minutes in there's that moving from cheek to cheek half hour to abate the pain and there always seems to be a problem with my watch running slowly. At about the two hour mark an unnecessary visit to the toilet to restart the circulation is always good. But finally it ends and you get to talk about the bits you liked.

I have a short attention span. It's one of the reasons I like festivals better than single band concerts - short sets, no encores and the possibility of moving from stage to stage. I'm really pleased that the newer albums, the LPs of old, are back to being about forty minutes long after that obsession with putting twenty or more tracks on each CD simply because the technology made it possible. I still remember with horror watching the Rolling Stones, in Barcelona I think, and they just went on and on and on until I'd lost the will to live. I was reminded of that last night!

You say you love me

One of the things I've realised about being old is that my reference points are different to those of younger people. I know that very few people go out and buy a printed newspaper nowadays, I don't either, but I still say “I read such and such in the paper” or “the papers say this or that”, even though I actually read the news on my mobile phone. I think of the telly as having times when programmes are on rather than calling them up on Netflix. Mention playing a game and I visualise football or Monopoly before I think of Destiny 2.

I used to watch the Star Trek: Next Generation. I haven't seen an episode for years as Star Trek isn't particularly popular in Spain. Actually it often takes me aback how culturally unaware lots of Spaniards are about US culture. I'd never quite realised how fifty first state we Britons were until I lived here. Anyway in this particular episode, as I remember, maybe inaccurately, the captain of the Enterprise is stranded on a planet with a non human adversary. Slowly the relationship between the two of them improves but communication is difficult because the non human speaks in cultural references. It would be as though a Briton used the date of the Battle of Hastings, 10th October 1066, as a way of saying, total rout, defeat with long lasting consequences or a turning point on history.

One of the big problems for my students is that the exams they have to pass are written by people who know about 1066, people with whom I share a culture. Those exam writers know about raising money for charities, about schools owning minibuses and about young people going clubbing. Spaniards don't. So when the conversation or the recording that my students need to understand is about a jumble sale for money towards a new minibus, for instance, my students have a cultural hill, as well as a linguistic one, to climb.

Yesterday I had a class where only one student turned up. The student is very young but she's good at English and refreshingly keen on learning. Nonetheless two hours is a long class for even the most dedicated single student. I needed a change of pace. I remembered a song that I'd prepared for another class of teenagers and asked her if she fancied doing the song Friends by Anne-Marie, at which point she burst into song. She went on to tell me lots more songs that she "loved" or "adored" often with vocal accompaniment. Obviously enough she asked me if I knew this or that song or artist and my lack of cultural awareness, of things Spanish and also of things young, soon began to show through.

As we talked the young woman was almost tripping over her words with excitement. Music is obviously something important in her life.  It reminded me that I had seen a list, "in the paper", a piece from el País in English, written by someone called Christy Romer.  I've just Googled the name and it's a him and he's based in Cambridge.  The list was called "12 classic songs guaranteed to get any Spanish house party moving." Now when I'd looked at this list I hadn't believed it. For a start the examples that the article gave of British "never fail" dance floor fillers were No Scrubs and Come on Eileen. Hmm? Anyway, giving that I had a young person in front of me, keen to talk about music, the sort of person who wouldn't, if she were British, be old enough to believe that the funniest thing ever seen on telly was the Only Fools and Horses episode with the chandelier, I went through the list with her. I hadn't thought the listing was any good because they were all very old songs and lots of them, from my limited knowledge of the artists, or just guessing from the song titles, were either very bouncy songs with lots of voices doing the chorus or overwrought solo efforts. It's quite hard to think of UK equivalents but maybe The Specials and Too Much Too Young or Viva España or some collaboration between Madness with Chas and Dave for the bouncy style. For the style of song which requires a pained expression on the singer's face, so typical of lots of quite famous Spanish songs, UK examples might be Tom Jones with Delilah, Barry Ryan with Eloise or maybe a bit of Renée and Renato. The fact that the majority of the songs must have been released twenty five years before my student was born made not a jot of difference. She recognised and sang every single one.

Class over and I was on my way home. I talked to my bosses who are both sub 30 I think. Young in my books. I mentioned the list to them. They too knew all the songs, maybe a bit Andalucia, was their comment but it seemed to me that they too recognised the list as being legitimate if not, necessarily, definitive.

Just another lesson in Spanish culture for me. Curiouser and curiouser!

For anyone who cares and for the few Spanish readers this is the list.

Celia Cruz - La vida es un carnaval
Rafaella Carrà - Hay que venir al sur
Las Grecas - Te estoy amando locamente
Los Del Río - Sevilla tiene un color especial
Gipsy Kings - Volare
Alaska - A quién le importa
Los Manolos - Amigos para siempre
Sevillanas - El Adiós
Camilo Sesto - Vivir así es morir de amor
The Refrescos - Aquí no hay playa
Bongo Botrako - Todos los días sale el sol
Raphael - Mi Gran Noche

A damp squib

We've been to a few music festivals here in Spain - pop festivals, mainly indie bands - generally pretty close to home. I did investigate going to one near Burgos and another near Bilbao this summer but, even months ago, all the hotels were gone and we're far too old for that sleeping under canvas nonsense. A second factor in deciding against was that, when I did the sums and compared it to my monthly income, I decided that the best thing to do with the coming summer is to sit in the garden, perspire gently, listen to the cigarras sing and read books borrowed from the library.

Last century I worked for a youth club charity. We decided to hold a major fundraising event and we even hired an event organiser. She was well out of her depth and the event was destined to be a squalid failure. But the morning of the event dawned stormy and thundery; rain was falling in torrents. The event went ahead because everything was ready and there was no alternative. The dismal event and the financial losses were all put down to the weather.

In the book that we Britons call Don Quixote, often quoted as the masterpiece of Spanish literature, a work of two volumes with 1250 pages there is not a mention of rain. In Spain, if it rains, events are often scrubbed. Usually they are re-arranged but sometimes that's just the end of them. There's always next year.

I like festivals. I like the short sets and the multi stage thing. If one band isn't too good there is another to listen to and if they are no good either then there are vegetable noodles and falafels to buy. The truth is that I'm a bit old for festivals though. If I have to stand up for too long my back aches and my legs really begin to hurt. Maggie has a similar, but much more painful, problem with her hip. My contact lenses are another problem. They're fine till around 11 or maybe till midnight but, after fourteen or so hours in my eyes my blinking becomes non stop. There's another thing about later evening. The bar is now more battle ground like than earlier, the toilets are repulsive and the number of stoned (does one still say stoned for drugged up?) and drunk young people makes for more collisions and spilled drinks which have a negative effect on my good humour.

But I also have a theory. The headline bands at the festivals are probably doing alright. They probably spend their time travelling around the country in a Transit (does one still say a Transit as the generic for a mid sized van?) but they've given up the day job and they have a couple of albums behind them. They are, in a word, successful. And whatever happens tonight isn't going to change that. Their current reputation is made and their future will depend, not on tonight, but on their new songs and future albums.

The same isn't true of the bands at the beginning of the running order. If they do well tonight people might go out and buy their music (does one still buy music or does one simply steal it?) The opinion formers, looking for something to pad out their blogs, video channels and Instagram accounts, might say something nice about them. You can see, too, that the bands themselves get a buzz out of being on a big stage with a lot of kit. They put a lot of effort into doing as well as they can and they often look to be having a hoot of a time. Besides which the toilets are still smelling sweet, the bar is easy access and nobody is crashing into me because their motor control functions have been compromised.

We were going to a small festival in Elche this evening. The bigger bands, like Love of Lesbian and Sidonie, we've seen several times before, others, like Elefantes and Casa Azul, we've seen too but not so many times. Some of the bands on the running order like Kuve, Polos Opuestos, Atientas and Women Beat were all new to me. I was looking forward to it. Then, yesterday, via Facebook, not via the ticket agency that took my money, I find out that the event has been postponed and split in two with one day on the 20 April and another on May 12. We could have booked up lots of other things for this weekend but we didn't because of Elche Live. And why is the event cancelled? Because there is a high probability that it will rain this afternoon. Pathetic.

There's nowt on t' telly

I was just on the phone to my mum. She told me her news. And what have you been up to she asked. Nothing much I said, a bit of gardening, a bit of preparation for my classes. Oh, and I've seen four concerts and I've visited the largest quarry in Europe and been on a bodega tour. I could have listed the things that I've missed too.

When I went to see the Excitements at the Yecla Jazz Festival last night I could have gone to a homage to the poet Miguel Hernandez in Pinoso instead, When I went to see Viva Suecia last Friday I could have chosen to  stay in Pinoso and see the Catalan singer songwriter Cesk Freixas. Indeed just thinking about the events that we've been to in the past couple of weeks, not including going to the cinema a couple of times, we've been to a photo exhibition, missed another poetry event because of the torrential downpour, missed the dressage event at the local riding school plus some event featuring folk dancers and traditional Valencian instruments because we were away for the weekend in Altea. Mind you whilst we were away we saw the local Moors and Christians Festival, oh, and on the way back we stopped off to see the display of banners in Monóvar to celebrate the life and works of Azorín. For this weekend I've not got much in my diary - there's a Roman market all weekend in Petrer and another photo exhibition and, of course, the Yecla Jazz Festival is still on. Next week Maldita Nerea, another band that have regular hits in the top 40, are on, for free, in Petrer as part of their fiestas and down in Murcia there's the Big Up music festival. Just to show that it isn't all music in the rest of the month there's a whole series of talks about recent Spanish history, a couple of book launches, two theatre productions, a bit of lyric opera and a couple of events for Halloween including itinerant story tellers in Pinoso. Pinoso has a population of 8,000.

I wasn't writing the list to show off where we've been but more to stress the "cultural" offer that there is in our local towns. The truth is that I tend to be a bit of a collector of events. The Internet brings me news from all the local town halls and I follow up on the titbits of information I hear on the radio or see in the press but I miss more than I get to see. What suddenly struck me about all these things was how available they are.

We went with some chums to see the first of the Yecla Jazz concerts. They are staged in a lovely end of the Nineteenth Century theatre - all red brocade and gilt. The compere is a radio DJ from the national station Radio 3 and the musicians whilst not been exactly superstars are all well above the run of the mill. It can't be a cheap event to mount. Our pals were bowled over by the setting and by the fact that the concert was free. Also in Yecla, but this time as a part of the September Fair, we went to see Fangoria. The lead singer of the band is a woman called Alaska. She is Mexican by birth, I think, but she's been a star in Spain since the mid 1970s. Alaska and Fangoria will not be a cheap band. This isn't like seeing a band who are unknown to anyone who doesn't have wrinkles and grey, or no, hair.  It's more like seeing The Pet Shop Boys or Tom Jones - someone who has been around forever and who may be past their heyday but who are still big. Fangoria were free too. A few days later I went to see Viva Suecia; this lot are an indie band but they are a band tipped for greater success. The sort of band that, in the UK, would have got a lot of airplay on the late evening and nighttime Radio 1 shows when I lived in the UK but may well be on Radio 6 nowadays. Free again. In fact from all the list above the only paying events would be the cinema.

The cultural offer in Spain is wide and varied and, even when it's to be paid for, it is usually pretty inexpensive. The arts market took a bit of a pounding when the ruling PP party jacked up the VAT rate on cultural events but, as a bit of an example, I just looked how much the three day VIP ticket for the Low festival in Benidorm would be and the answer is 40€ though that is a special "you're paying ages in advance without knowing what the bands will be" ticket and last year the Low Festival didn't drag in many big name foreign bands though they did have 75 bands and lots of them were big on the Spanish scene. Down in Cartagena at el Batel if you want to go and see Sleeping Beauty by the Russian National Ballet the cheapest tickets are 18€ and the most expensive 30€. In Murcia, at the Teatro Romea the best seats for the regional orchestra doing Beethoven's 9th are a whopping 20€. It's not so cheap in Madrid; to see the Lion King for instance you'd pay 96€ for the best seats but that's still a bit cheaper than the £129.50 for the same show in London on the same day.

Not a bad offer though for anyone who's a bit bored with what's on the telly. New series of The Big Bang Theory on Sunday though.

No staying power

There has been lots of press speculation about the King recently. A while ago he had some surgery. The doctors said they had removed a benign tumour but the cancer rumours persisted. The Palace said he was fine except that his hip and knee were a bit dodgy. Not unusual for a 73 year old, otherwise it was just the ailments of old age - "los achaques."  I thought that was an excellent word. It was a word I understood exactly.


Working on the principle that you're never too old to rock we went to see four bands last night. The event was called Ciclo Pop. One of Maggie's ex colleagues is the lead singer for a band called Aardvark Asteroid and the rest of the line up included Fuzzy White Casters, Arizona Baby and Sexy Sadie. Obviously we were keen to support James and his band but I'd wanted to see Arizona Baby for quite a while as well. Two birds with one stone. Even better the venue was only an hour or so from home.

It was a good venue, right in the middle of San Vicente del Raspeig, and the 11€ price tag was excellent for four bands. Nonetheless the crowd was pretty thin - two or three hundred people  maybe. The gig was late starting but we were perfectly fit as we watched James and the other Aardvarks and we were still well in the game for Arizona Baby. By then though the achaques were catching up. We older people have to empty our bladders reasonably frequently. We don't like those little cabin toilets. After 12 hours or so our contact lens had become unbearable. In my case too my mouth is a bit sore and I've had a mild if persistent stomach ache for the last three or four weeks too. The numbness that I get in my hands and feet was exacerbated by the chilly evening. Basically by 1.30am I was knackered and we still had to get home. So we bailed out and came home around 2am. We never saw Sexy Sadie.

Don Juan Carlos had his knee operation a couple of days ago. I'm sure if he'd been at Ciclo Pop he would have stayed the course.