Life in Culebrón

Imagine one of those dance studios. A wall of mirrors. Lithe dancers, six pack stomachs, firm buttocks and all that brightly coloured, body hugging clothing. Same idea, a mirrored wall but there's a bloke with a pronounced belly and a red nose, maybe for alcohol, maybe for the sun, sitting, facing the mirrors, on a cheap plastic chair with the sort of posture that Mr Plant would have reprimanded him for as a youth. Every now and then an acrid smell, it may be sweat from Mr Tubby or it may just be the room, wafts through the hot and airless atmosphere. It's Covid time so the fat bloke is wearing a face shield. Sometimes he blows a raspberry, well more or less, sometimes he gets hold of the side of his mouth to try and get his lips to flap in the wind. Gargling sounds. Strangled sounds. Flapping tongues. It's me and I'm with a speech therapist trying to learn how to do the rolled R that is more or less essential to speak Spanish. Something I haven't mastered in ...

My dancing is terrible. In fact I don't dance. I can't clap in time, I can't keep rhythm, I can't sing. At junior school they wrested the triangle from my grip enraged with my inability to strike it at the appropriate moment. At Grammar School I was beaten for singing badly. It was presumed that I was singing so tunelessly to be rebellious. I can't roll Rs either. This is essential for speaking Spanish reasonably well. The R at the beginning of a word has to be rolled and the double RR has to be rolled. To Spaniards I sound like a Benny Hill Chinese person. There are dozens of YouTube videos with tricks, methods, advice and examples of how to roll Rs. They all start by saying that everyone can roll Rs. Just the same way as my music teacher, Philip Tordoff, told me that everyone could sing just a few moments before he set about me with a ruler. Apparently the trick, for Rs, not for singing, is to put the tip of the tongue on the alveolar ridge and expel enoug...