Saturday, April 28, 2018

You say you love me

One of the things I've realised about being old is that my reference points are different to those of younger people. I know that very few people go out and buy a printed newspaper nowadays, I don't either, but I still say “I read such and such in the paper” or “the papers say this or that”, even though I actually read the news on my mobile phone. I think of the telly as having times when programmes are on rather than calling them up on Netflix. Mention playing a game and I visualise football or Monopoly before I think of Destiny 2.

I used to watch the Star Trek: Next Generation. I haven't seen an episode for years as Star Trek isn't particularly popular in Spain. Actually it often takes me aback how culturally unaware lots of Spaniards are about US culture. I'd never quite realised how fifty first state we Britons were until I lived here. Anyway in this particular episode, as I remember, maybe inaccurately, the captain of the Enterprise is stranded on a planet with a non human adversary. Slowly the relationship between the two of them improves but communication is difficult because the non human speaks in cultural references. It would be as though a Briton used the date of the Battle of Hastings, 10th October 1066, as a way of saying, total rout, defeat with long lasting consequences or a turning point on history.

One of the big problems for my students is that the exams they have to pass are written by people who know about 1066, people with whom I share a culture. Those exam writers know about raising money for charities, about schools owning minibuses and about young people going clubbing. Spaniards don't. So when the conversation or the recording that my students need to understand is about a jumble sale for money towards a new minibus, for instance, my students have a cultural hill, as well as a linguistic one, to climb.

Yesterday I had a class where only one student turned up. The student is very young but she's good at English and refreshingly keen on learning. Nonetheless two hours is a long class for even the most dedicated single student. I needed a change of pace. I remembered a song that I'd prepared for another class of teenagers and asked her if she fancied doing the song Friends by Anne-Marie, at which point she burst into song. She went on to tell me lots more songs that she "loved" or "adored" often with vocal accompaniment. Obviously enough she asked me if I knew this or that song or artist and my lack of cultural awareness, of things Spanish and also of things young, soon began to show through.

As we talked the young woman was almost tripping over her words with excitement. Music is obviously something important in her life.  It reminded me that I had seen a list, "in the paper", a piece from el País in English, written by someone called Christy Romer.  I've just Googled the name and it's a him and he's based in Cambridge.  The list was called "12 classic songs guaranteed to get any Spanish house party moving." Now when I'd looked at this list I hadn't believed it. For a start the examples that the article gave of British "never fail" dance floor fillers were No Scrubs and Come on Eileen. Hmm? Anyway, giving that I had a young person in front of me, keen to talk about music, the sort of person who wouldn't, if she were British, be old enough to believe that the funniest thing ever seen on telly was the Only Fools and Horses episode with the chandelier, I went through the list with her. I hadn't thought the listing was any good because they were all very old songs and lots of them, from my limited knowledge of the artists, or just guessing from the song titles, were either very bouncy songs with lots of voices doing the chorus or overwrought solo efforts. It's quite hard to think of UK equivalents but maybe The Specials and Too Much Too Young or Viva España or some collaboration between Madness with Chas and Dave for the bouncy style. For the style of song which requires a pained expression on the singer's face, so typical of lots of quite famous Spanish songs, UK examples might be Tom Jones with Delilah, Barry Ryan with Eloise or maybe a bit of Renée and Renato. The fact that the majority of the songs must have been released twenty five years before my student was born made not a jot of difference. She recognised and sang every single one.

Class over and I was on my way home. I talked to my bosses who are both sub 30 I think. Young in my books. I mentioned the list to them. They too knew all the songs, maybe a bit Andalucia, was their comment but it seemed to me that they too recognised the list as being legitimate if not, necessarily, definitive.

Just another lesson in Spanish culture for me. Curiouser and curiouser!

For anyone who cares and for the few Spanish readers this is the list.

Celia Cruz - La vida es un carnaval
Rafaella Carrà - Hay que venir al sur
Las Grecas - Te estoy amando locamente
Los Del Río - Sevilla tiene un color especial
Gipsy Kings - Volare
Alaska - A quién le importa
Los Manolos - Amigos para siempre
Sevillanas - El Adiós
Camilo Sesto - Vivir así es morir de amor
The Refrescos - Aquí no hay playa
Bongo Botrako - Todos los días sale el sol
Raphael - Mi Gran Noche

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