Spanish museums used to be awful. Piles of stuff in random order often without any labelling or information. Most, though not all, are much better now and some of them even have levers to pull or computer screens to tap. There is still a tendency for the information to be a bit long winded (something I get accused of), and only very infrequently do you get the news story type labelling with a brief résumé in the first paragraph and more detailed information below. The most common style is a four or five hundred word description on each section. With all good intentions I read the first couple of information boards, scan the next two or three, read the first couple of lines of the next dozen or so boards and then start to wander aimlessly without reading anything unless it catches my attention. Usually the notices are in Castilian Spanish and quite often in English too. Occasionally around here, it's just in Valenciano which always annoys me.
It was sunny yesterday and neither Maggie nor I had work in the afternoon. We went for a bit of an explore and, more by happenstance than design we ended up heading towards Jumilla. I knew that there was an exhibition called Capturas individuales at the Archaeology museum there, the Museo Arqueológico Jerónimo Molina, but, I wasn't sure whether it was photos or paintings. If we were passing we may as well pop in to have a look.
Archaeology museums tend to be organised from old to new. Pre-history with cave paintings, arrowheads and the like close to the entrance moving on to the stone carvings of jewellery bedecked Iberian women and so on through Greek vases, Phoenician boats, Roman central heating. Then on to the Goths, the North African Moorish Invasion, onward to the Middle Ages and upwards through time stopping wherever the collections or the curators see fit.
We've done the Jumilla museum a bundle of times. We've listened to live music as we leaned against the display case that hold the two and a half thousand old year column featuring an armed rider. We've been on the roof on Museum Night to listen to poetry where the Republican prisoners took their exercise when the building was used as a prison and we've been to a talk about old Jumilla surrounded by Roman mosaics. So, when the bloke behind the desk asked us if we'd ever been before we said yes and that we'd only come to have a look at the temporary exhibition. The museum was not awash with people. Indeed we were the only customers. Moises, the man on the door, wasn't too busy. Our saying that we'd been before didn't stop him. He caught up with as we lingered over a bit of Iberian pottery on the first floor and started to give us a guided tour. His English was good and he knew his exhibits well. Altogether a very interesting tour. We didn't really get to see the temporary exhibition - they were paintings by the way. But, thank you, anyway Moises.
An old, temporarily skinnier but still flabby, red nosed, white haired Briton rambles on, at length, about things Spanish
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